I think this is mainly due to not needing to attenuate the output level from my I/o from within the software. It sounds much better than my old method of doing the same job. I wanted the most basic model so that the signal path is simplest and I have plenty of di boxes etc. I've marked it as "okay" for features as it doesn't really have much to play with but that's kind of the point. It's tough, lightweight and I can't ever seeing it getting damaged. The radial firstly struck me as being really well build.
PRORMP REAMP PRO
It became obvious that a dedicated reamp box was going to save me a lot of hassle and I could actually have it permanently wired into my pro tools rig rather than building something that just did the job out of attenuators and do boxes etc. However, in the last 18 months I've found myself doing more mixing of stuff that other people recorded and when the cab signals don't cut it in the mix If be reaching for that old faithful. It was "alright" and not something I used to do a lot of. Re-amping was something I'd always "got round" before by using various passive devices in line to achieve the same ultimate goal. Suitable for "re-amping" all instruments:
Makes repeated recording during recording unnecessary.
Playback of recorded tracks through amplifiers and guitar effects.
PRORMP REAMP PROFESSIONAL
The Radial ProRMP - cost-effective, professional re-amping for every studio! Features
PRORMP REAMP FULL
A non-slip full base coating ensures a secure hold and avoids electrical contact points which could lead to ground Loops when touching parts of guitar amplifier housings. Surrounded by a 2mm steel plate, the unique "book support" design with a welded double T-beam construction ensures that the ProRMP is protected against damage and the board and the soldering points are not subjected to any loads, which significantly increases the reliability. Like all radial products, the ProRMP is extremely sturdy. The secret of the outstanding ProRMP sound is a specially crafted transformer, which matches the balanced, low-impedance signal source for the connection to the high-impedance input of your amplifier and at the same time serves as a mass splitter, which prevents rumble and other noise in the signal caused by mass loops. The ProRMP Re-Amplifier is extremely easy to use - it is connected between the recording device and your amplifier or effects device and automatically adjusts the impedance. The Radial ProRMP is a fully passive Re-Amplifier that allows you to re-record a previously recorded track through a guitar amp or an effect pedal to create new and exciting sounds. The re-amping technique has always been the "secret weapon" of numerous recordings of the greatest names in the music business and is often used to give a new sound to guitar, bass, keyboard and even vocal recordings.
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